| "Going Somewhere" |
-
|
| "The Rounded Catalogue Divine Complete" |
-
|
| 1861 |
-
|
| 301. Hours Continuing Long |
-
|
| A Boston Ballad, 1854 |
-
|
| A Broadway Pageant |
-
|
| A Carol Closing Sixty-Nine |
-
|
| A Case from Second Bull Run |
-
|
| A Cavalry Camp |
-
|
| A child said, What is the gra**? |
-
|
| A Child's Amaze |
-
|
| A Christmas Greeting |
-
|
| A Civility Too Long Neglected |
-
|
| A Clear Midnight |
-
|
| A Connecticut Case |
-
|
| A Contralto Voice |
-
|
| A Couple of Old Friends—A Coleridge Bit |
Specimen Days
|
| A Discovery of Old Age |
Specimen Days
|
| A Farm-Picture |
-
|
| A Fine Afternoon, 4 to 6 |
-
|
| A Font of Type |
-
|
| A Glimpse |
-
|
| A Glimpse of War's Hell Scenes |
-
|
| A Hand-Mirror |
-
|
| A Happy Hour's Command |
-
|
| A Hint of Wild Nature |
-
|
| A July Afternoon by the Pond |
-
|
| A Leaf For Hand in Hand |
-
|
| A March in the Ranks Hard-Prest, and the Road Unknown |
-
|
| A March In the Ranks, Hard-Prest |
-
|
| A Meadow Lark |
-
|
| A Model Hospital |
-
|
| A New Army Organization fit for America |
-
|
| A New York Soldier |
-
|
| A Night Battle over a Week Since |
-
|
| A Night Remembrance |
-
|
| A Noiseless Patient Spider |
-
|
| A Paumanok Picture |
-
|
| A Persian Lesson |
-
|
| A Prairie Sunset |
-
|
| A Promise to California |
-
|
| A Quintette |
-
|
| A Riddle Song |
-
|
| A Secesh Brave |
-
|
| A Sight in Camp in the Daybreak Gray and Dim |
-
|
| A Silent Little Follower—the Coreopsis |
-
|
| A Silent Night Ramble |
-
|
| A Soldier on Lincoln |
-
|
| A Song for Occupations |
-
|
| A Song of Joys |
-
|
| A Song of the Rolling Earth |
-
|
| A Specimen Tramp Family |
-
|
| A Sun-Bath—Nakedness |
-
|
| A Twilight Song |
-
|
| A Two Hours' Ice-Sail |
-
|
| A Visit, at the Last, to R. W. Emerson |
Specimen Days
|
| A Voice from d**h |
-
|
| A Week's Visit to Boston |
Specimen Days
|
| A Winter-Day on the Sea-Beach |
-
|
| A Woman Waits for Me |
-
|
| A Yankee Antique |
-
|
| A Yankee Soldier |
-
|
| A Zollverein between the U. S. and Canada |
-
|
| Aboard at a Ship's Helm |
-
|
| Abraham Lincoln |
-
|
| Abraham Lincoln, Born Feb. 12, 1809 |
-
|
| Adieu to a Soldier |
-
|
| After First Fredericksburg |
-
|
| After the Dazzle of Day |
-
|
| After the Sea-Ship |
-
|
| After Trying a Certain Book |
Specimen Days
|
| Ages and Ages Returning at Intervals |
Leaves of Gra**
|
| Ah Poverties, Wincing, and Sulky Retreats |
-
|
| All Is Truth |
-
|
| Ambulance Processions |
-
|
| America's Back-Bone |
-
|
| America's Characteristic Landscape |
-
|
| American Literature Digital Anthology (Beginnings through 1914) |
-
|
| Among the Multitude |
-
|
| An Afternoon Scene |
-
|
| An American Problem |
Notes Left Over
|
| An Army Corps on the March |
-
|
| An Army Hospital Ward |
-
|
| An Early Summer Reveille |
-
|
| An Egotistical "Find" |
-
|
| An Ended Day |
-
|
| An Evening Lull |
-
|
| An Hour on Kenosha Summit |
-
|
| An Interregnum Paragraph |
-
|
| An Interviewer's Item |
-
|
| An Ossianic Night—Dearest Friends |
Specimen Days
|
| An Ulster County Waterfall |
-
|
| An Unknown |
-
|
| Answer to an Insisting Friend |
-
|
| Apparitions |
-
|
| Are You the New person Drawn Toward Me? |
-
|
| Army Surgeons—Aid Deficiencies |
-
|
| Art Features |
-
|
| As Adam Early in the Morning |
-
|
| As at Thy Portals Also d**h |
-
|
| As Consequent, Etc. |
-
|
| As I Ebb'd with the Ocean of Life |
-
|
| As I Lay with My Head in Your Lap Camerado |
-
|
| As I Ponder'd in Silence |
Leaves of Gra**
|
| As I Ponder'd in Silence (Inscriptions) |
-
|
| As I Sit Writting Here |
-
|
| As I Walk These Broad Majestic Days |
-
|
| As I Watch the Ploughman Ploughing |
-
|
| As If a Phantom Caress'd Me |
-
|
| As the Greek's Signal Flame |
-
|
| As the Time Draws Nigh |
-
|
| As They Draw to a Close |
-
|
| As Toilsome I Wander'd Virginia's Woods |
-
|
| Ashes of Soldiers |
-
|
| Assurances |
-
|
| At Present Writing—Personal |
Specimen Days
|
| Attitude of Foreign Governments During the War |
-
|
| Autumn Side-Bits |
-
|
| Back to Washington |
-
|
| Bad Wounds—the Young |
-
|
| Bathed in War's Perfume |
-
|
| Battle of Bull Run, July, 1861 |
-
|
| Battle of Gettysburg |
-
|
| Beat! Beat! Drums! |
-
|
| Beautiful Women |
-
|
| Beethoven's Septette |
-
|
| Begin a Long Jaunt West |
-
|
| Beginners |
Leaves of Gra**
|
| Beginning My Studies |
Leaves of Gra**
|
| Behold This Swarthy Face |
-
|
| Bird Whistling |
-
|
| Birds and Birds and Birds |
-
|
| Birds Migrating at Midnight |
-
|
| Birds—and a Caution |
Specimen Days
|
| Bivouac On A Mountain Side |
-
|
| Boston Common—More of Emerson |
Specimen Days
|
| Boys in the Army |
-
|
| Bravo, Paris Exposition! |
-
|
| Broadway |
-
|
| Broadway Sights |
-
|
| Bumble-Bees |
-
|
| Burial of a Lady Nurse |
-
|
| By Blue Ontario's Shore |
-
|
| By Broad Potomac's Shore |
-
|
| By Emerson's Grave |
Specimen Days
|
| By the Bivouac's Fitful Flame |
-
|
| Calamus |
-
|
| Calhoun's Real Monument |
-
|
| Camps of Green |
-
|
| Capes Eternity and Trinity |
Specimen Days
|
| Carlyle from American Points of View |
Specimen Days
|
| Cattle Droves about Washington |
-
|
| Cavalry Crossing a Ford |
-
|
| Cedar-Apples |
-
|
| Central Park Walks and Talks |
-
|
| Chanting the Square Deific |
-
|
| Chicoutimi, and Ha-ha Bay |
Specimen Days
|
| City of Orgies |
-
|
| City of Ships |
-
|
| Clover and Hay Perfume |
-
|
| Colors—A Contrast |
-
|
| Come Up From the Fields Father |
-
|
| Come, said my Soul |
-
|
| Contemptuous Feeling |
-
|
| Continuities |
-
|
| Convulsiveness |
-
|
| Crossing Brooklyn Ferry |
-
|
| Crows and Crows |
-
|
| d**h of a Hero |
-
|
| d**h of a Pennsylvania Soldier |
-
|
| d**h of a Wisconsin Officer |
-
|
| d**h of General Grant |
-
|
| d**h of Longfellow |
Specimen Days
|
| d**h of President Lincoln |
-
|
| d**h of Thomas Carlyle |
Specimen Days
|
| d**h of William Cullen Bryant |
-
|
| Darest Thou Now O Soul |
-
|
| Days at J.B.'s—Turf Fires—Spring Songs |
-
|
| Delaware River—Days and Nights |
-
|
| Delicate Cluster |
-
|
| Democracy in the New World |
Notes Left Over
|
| Denver Impressions |
-
|
| Departing of the Big Steamers |
-
|
| Deserters |
-
|
| Dirge for Two Veterans |
-
|
| Distant Sounds |
-
|
| Down at the Front |
-
|
| Down at the Front II |
-
|
| Earth, My Likeness |
-
|
| Earth's Most Important Stream |
-
|
| Edgar Poe's Significance |
-
|
| Eidolons |
Leaves of Gra**
|
| Eighteen Sixty-One |
-
|
| Election Day, November, 1884 |
-
|
| Entering a Long Farm-Lane |
-
|
| Ethiopia Saluting the Colors |
-
|
| Europe |
-
|
| Excelsior |
-
|
| Exposition Building—New City Hall—River-Trip |
-
|
| Faces |
-
|
| Facing West from California's Shores |
-
|
| Fast Anchor'd Eternal O Love! |
-
|
| February Days |
-
|
| Female Nurses for Soldiers |
-
|
| Fifty Hours Left Wounded on the Field |
-
|
| Final Confessions—Literary Tests |
Specimen Days
|
| First O Songs for a Prelude |
-
|
| Flag of Stars, Thick-Sprinkled Bunting. |
-
|
| For Him I Sing |
Leaves of Gra**
|
| For You, O Democracy |
-
|
| France |
-
|
| From Far Dakota's Cañons |
The Patriotic Poems of Walt Whitman
|
| From Far Dakota's Canyons |
-
|
| From Montauk Point |
-
|
| From Paumanok Starting I Fly Like a Bird |
-
|
| From Pent-Up Aching Rivers |
Leaves of Gra**
|
| Full of Life Now |
-
|
| Full-Starr'd Nights |
-
|
| Genealogy—Van Velsor and Whitman |
-
|
| Germs |
-
|
| Gifts—Money—Discrimination |
-
|
| Give Me the Splendid Silent Sun |
-
|
| Gliding O'er all |
-
|
| Gods |
-
|
| Good-Bye My Fancy! |
-
|
| Good-Bye My Fancy! II |
-
|
| Grand Is the Seen |
-
|
| Grand Native Growth |
-
|
| Great Are The Myths |
-
|
| Growth—Health—Work |
-
|
| Had I the Choice |
-
|
| Halcyon Days |
-
|
| Happiness and Raspberries |
-
|
| Hast Never Come to Thee an Hour |
-
|
| Heated Term |
-
|
| Here the Frailest Leaves of Me |
-
|
| Home-Made Music |
-
|
| Horse-Mint |
-
|
| Hospital Perplexity |
-
|
| Hospital Scenes and Persons |
-
|
| Hospital Scenes—Incidents |
-
|
| Hospitals Closing |
-
|
| Hospitals Ensemble |
-
|
| Hot Weather New York |
Specimen Days
|
| Hours for the Soul |
-
|
| How Excellent |
Growing Up
|
| How Solemn As One by One |
-
|
| Hudson River Sights |
-
|
| Human and Heroic New York |
-
|
| Hush'd Be the Camps To-Day |
-
|
| I Am He That Aches with Love |
-
|
| I Dream'd in a Dream |
-
|
| I Hear America Singing |
-
|
| I Hear It Was Charged Against Me |
-
|
| I Heard You Solemn-Sweet Pipes of the Organ |
-
|
| I Saw in Louisiana a Live-Oak Growing |
-
|
| I Saw Old General at Bay |
-
|
| I Sing the Body Electric |
-
|
| I Sing The Body Electric, AR |
-
|
| I Sit and Look Out |
-
|
| I Turn South and then East Again |
-
|
| I Was Looking a Long While |
-
|
| In Cabin'd Ships at Sea |
Leaves of Gra**
|
| In Memory of Thomas Paine |
-
|
| In Paths Untrodden |
-
|
| In the Sleeper |
-
|
| Inauguration Ball |
-
|
| Interpolation Sounds |
-
|
| Items from My Note Books |
-
|
| Jaunt up the Hudson |
-
|
| Jaunting to Canada |
-
|
| Joy, Shipmate, Joy! |
-
|
| Kosmos |
-
|
| L. of G.'s Purport |
-
|
| Lawrence and Topeka, Kansas |
-
|
| Laws for Creations |
-
|
| Leaves of Gra** (A Boston Ballad ) |
-
|
| Leaves of Gra** (A Child's Amaze) |
-
|
| Leaves of Gra** (A Clear Midnight) |
-
|
| Leaves of Gra** (A Farm Picture) |
-
|
| Leaves of Gra** (A Glimpse) |
-
|
| Leaves of Gra** (A Hand-Mirror) |
-
|
| Leaves of Gra** (A Leaf for Hand in Hand) |
-
|
| Leaves of Gra** (A Woman Waits for Me) |
-
|
| Leaves of Gra** (After the Supper and Talk) |
-
|
| Leaves of Gra** (America) |
-
|
| Leaves of Gra** (Among the Multitude) |
-
|
| Leaves of Gra** (As I Walk These Broad majestic Days) |
-
|
| Leaves of Gra** (Bivouac on a Mountain Side ) |
-
|
| Leaves of Gra** (Come Up from the Fields Father ) |
-
|
| Leaves of Gra** (Continuities) |
-
|
| Leaves Of Gra** (Crossing Brooklyn Ferry) |
-
|
| Leaves of Gra** (Delicate Cluster ) |
-
|
| Leaves of Gra** (For You, O Democracy) |
-
|
| Leaves of Gra** (Good-Bye My Fancy ) |
-
|
| Leaves of Gra** (I Hear America Singing ) |
-
|
| Leaves of Gra** (Look Down Fair Moon ) |
-
|
| Leaves of Gra** (Mannahatta) |
-
|
| Leaves of Gra** (Miracles) |
-
|
| Leaves of Gra** (O Me! O Life!) |
-
|
| Leaves of Gra** (Old Chants II ) |
-
|
| Leaves of Gra** (On the Beach at Night Alone ) |
-
|
| Leaves of Gra** (Out of the Cradle Endlessly Rocking ) |
-
|
| Leaves Of Gra** (Pa**age to India) |
-
|
| Leaves of Gra** (Pioneers! O Pioneers! ) |
-
|
| Leaves of Gra** (So Long! ) |
-
|
| Leaves of Gra** (Sometimes with One I Love) |
-
|
| Leaves of Gra** (Spontaneous Me) |
-
|
| Leaves of Gra** (The Commonplace II ) |
-
|
| Leaves Of Gra** (The Sleepers) |
-
|
| Leaves of Gra** (The Untold Want ) |
-
|
| Leaves of Gra** (The World below the Brine ) |
-
|
| Leaves of Gra** (To a Locomotive in Winter) |
-
|
| Leaves Of Gra** (To Think of Time) |
-
|
| Leaves of Gra** (To You) |
Leaves of Gra**
|
| Leaves of Gra** (Unfolded out of the Folds) |
-
|
| Leaves of Gra** (Washington's Monument February, 1885) |
-
|
| Leaves of Gra** (Whoever You Are Holding Me Now in Hand) |
-
|
| Letter to Ralph Waldo Emerson |
-
|
| Letter to Walt Whitman, 1855 |
-
|
| Life and d**h |
-
|
| Lingering Last Drops |
-
|
| Lo, Victress on the Peaks |
-
|
| Loafing in the Woods |
-
|
| Locations and Times |
-
|
| Locusts and Katy-Dids |
-
|
| Long, Long Hence |
-
|
| Long, Too Long America |
-
|
| Look Down, Fair Moon |
-
|
| Manhattan from the Bay |
-
|
| Mannahatta |
-
|
| Mannahatta II |
-
|
| Mature Summer Days and Night |
-
|
| Me Imperturbe |
Leaves of Gra**
|
| Mediums |
-
|
| Meeting a Hermit |
-
|
| Memories |
-
|
| Millet's Pictures—Last Items |
Specimen Days
|
| Miracles |
-
|
| Mirages |
-
|
| Mississippi Valley Literature |
-
|
| Missouri State |
-
|
| Mother and Babe |
-
|
| Mulleins and Mulleins |
-
|
| MY 71st Year |
-
|
| My Canary Bird |
-
|
| My First Reading—Lafayette |
-
|
| My Legacy |
-
|
| My Native Sand and Salt Once More |
Specimen Days
|
| My Pa**ion for Ferries |
-
|
| My Picture-Gallery |
-
|
| My Preparations for Visits |
-
|
| My Tribute to Four Poets |
Specimen Days
|
| Myself and Mine |
-
|
| National Uprising and Volunteering |
-
|
| Native Moments |
-
|
| Nature and Democracy—Morality |
Specimen Days
|
| New Scenes—New Joys |
-
|
| New Themes Enter'd Upon |
-
|
| Night on the Prairies |
-
|
| Nights on the Mississippi |
-
|
| No Good Portrait of Lincoln |
-
|
| No Labor-Saving Machine |
-
|
| Not Heat Flames Up and Consumes |
-
|
| Not Heaving from My Ribb'd Breast Only |
-
|
| Not Meagre, Latent Boughs Alone |
-
|
| Not the Pilot |
-
|
| Not Youth Pertains to Me |
-
|
| November 8, '76 |
-
|
| Now Finale to the Shore |
-
|
| Now Precent Songs, Farewell |
-
|
| O Captain! My Captain! |
-
|
| O Hymen! O Hymenee! |
-
|
| O Living Always, Always Dying |
-
|
| O Magnet-South |
-
|
| O Me! O Life! |
-
|
| O Star of France |
-
|
| O Tan-Faced Prairie-Boy |
-
|
| O You Whom I Often and Silently Come |
-
|
| Of Him I Love Day and Night |
-
|
| Of That Blithe Throat of Thine |
-
|
| Of the Terrible Doubt of Appearances |
-
|
| Offerings |
-
|
| Oh Captain! My Captain! |
-
|
| Old Age's Lambent Peaks |
-
|
| Old Age's Ship & Crafty d**h's |
-
|
| Old Chants |
-
|
| Old Ireland |
-
|
| Old Salt Kossabone |
-
|
| Old War-Dreams |
-
|
| Omnibus Jaunts and Drivers |
-
|
| On Journeys Through the States |
Leaves of Gra**
|
| On the Beach at Night |
-
|
| On the Beach at Night Alone |
-
|
| On the Business of Literature |
-
|
| On to Denver—A Frontier Incident |
-
|
| On, on the Same, Ye Jocund Twain! |
-
|
| Once I Pa**'d Through a Populour City |
-
|
| Once I Pa**'d through a Populous City |
-
|
| One Hour to Madness and Joy |
Leaves of Gra**
|
| One of the Human Kinks |
-
|
| One's-Self I Sing |
Leaves of Gra**
|
| Only a New Ferry Boat |
Specimen Days
|
| Opening of the Secession War |
-
|
| Orange Buds by Mail from Florida |
-
|
| Osceola |
-
|
| Other Concord Notations |
Specimen Days
|
| Others May Praise What They Like |
-
|
| Our Old Feuillage |
-
|
| Ouster's Last Rally |
Specimen Days
|
| Out from Behind This Mask |
-
|
| Out of May's Shows Selected |
-
|
| Out of the Cradle Endlessly Rocking |
-
|
| Out of the Rolling Ocean the Crowd |
Leaves of Gra**
|
| Outlines for a Tomb |
-
|
| Over the Carnage Rose Prophetic a Voice |
-
|
| Pa**age to India |
-
|
| Patent-Office Hospital |
-
|
| Patroling Barnegat |
-
|
| Paumanok |
-
|
| Paumanok, and my Life on it as Child and Young Man |
-
|
| Paying the Bounties |
-
|
| Pensive and Faltering |
-
|
| Pensive on Her Dead Gazing |
-
|
| Perfections |
-
|
| Pioneers! O Pioneers! |
-
|
| Plays and Operas too |
-
|
| Poets to Come |
Leaves of Gra**
|
| Portals |
-
|
| Prairie Analogies—the Tree Question |
-
|
| Prayer of Columbus |
-
|
| Preface (Leaves of Gra**) |
-
|
| President Hayes's Speeches |
-
|
| Printing Office—Old Brooklyn |
-
|
| Proud Music of the Storm |
-
|
| Queries to My Seventieth Year |
-
|
| Quicksand Years |
-
|
| Race of Veterans |
-
|
| Reconciliation |
-
|
| Recorders Ages Hence |
-
|
| Red Jacket (From Aloft) |
-
|
| Releas'd Union Prisoners from South |
-
|
| Reminiscence of Elias Hicks |
-
|
| Reversals |
-
|
| Rise O Days from Your Fathomless Deeps |
-
|
| Roaming in Thought |
-
|
| Roots and Leaves Themselves Alone |
-
|
| Rumors, Changes, Etc. |
-
|
| Sail out for Good, Eidolon Yacht! |
-
|
| Salut au Monde! |
-
|
| Samples of my Common-Place Book |
Specimen Days
|
| Savantism |
Leaves of Gra**
|
| Scene at the Capitol |
-
|
| Scenes on Ferry and River—Last Winter's Nights |
-
|
| Scented Herbage of My Breast |
-
|
| Sea-Shore Fancies |
-
|
| Seeing Niagara to Advantage |
-
|
| Shakspere-Bacon's Cipher |
-
|
| Sherman's Army Jubilation—its Sudden Stoppage |
-
|
| Shut Not Your Doors |
Leaves of Gra**
|
| Small the Theme of My Chant |
-
|
| So Long |
-
|
| Soldiers and Talks |
-
|
| Some Old Acquaintances—Memories |
Specimen Days
|
| Some Sad Cases Yet |
-
|
| Some Specimen Cases |
-
|
| Sometimes with One I Love |
-
|
| Song at Sunset |
-
|
| Song for All Seas, All Ships |
-
|
| Song of Myself |
Leaves of Gra**
|
| Song of Myself (For ENG287) |
-
|
| Song of Myself (for English 3222) |
-
|
| Song of Myself (opening) |
-
|
| Song of Myself (original 1855 version) |
-
|
| Song of Prudence |
-
|
| Song of the Answerer |
-
|
| Song of the Banner at Daybreak |
-
|
| Song of the Broad-Axe |
-
|
| Song of the Exposition |
-
|
| Song of the Open Road |
-
|
| Song of the Redwood-Tree |
-
|
| Song of the Universal |
-
|
| Soon Shall the Winter's Foil Be Here |
-
|
| Sounds of the Winter |
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| Sources of Character—Results—1860 |
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| Southern Escapees |
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| Spain, 1873-74 |
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| Sparkles from the Wheel |
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| Spirit that Form'd this Scene |
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| Spirit Whose Work Is Done |
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| Spiritual Characters among the Soldiers |
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| Spontaneous Me |
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| Spring Overtures—Recreations |
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| St. Louis Memoranda |
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| Starting from Paumanok |
Leaves of Gra**
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| Starting Newspapers |
Specimen Days
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| Steam-Power, Telegraphs, Etc. |
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| Still Though the One I Sing |
Leaves of Gra**
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| Straw-Color'd and other Psyches |
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| Stronger Lessons |
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| Summer of 1864 |
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| Summer Sights and Indolences |
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| Sunday with the Insane |
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| Sundown Lights |
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| Sundown Perfume—Quail-Notes—the Hermit Thrush |
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| Swallows on the River |
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| Tears |
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| Tests |
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| Thanks in Old Age |
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| That Music Always Round Me |
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| That Shadow My Likeness |
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| The Armies Returning |
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| The Artilleryman's Vision |
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| The Base of All Metaphysics |
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| The Blue Everywhere |
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| The Boston of To-Day |
Specimen Days
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| The Bravest Soldiers |
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| The Calming Thought of All |
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| The Capitol by Gas-Light |
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| The Centenarian's Story |
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| The City Dead-House |
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| The Common Earth, the Soil |
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| The Commonplace |
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| The Dalliance of the Eagles |
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| The Dead Emperor |
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| The Dead Tenor |
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| The Dismantled Ship |
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| The Dying Veteran |
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| The First Dandelion |
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| The First Frost—Mems |
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| The First Spring Day on Chestnut Street |
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| The Gates Opening |
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| The Grand Review |
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| The Great Unrest of which We are Part |
Specimen Days
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| The Inauguration |
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| The Inhabitants—Good Living |
Specimen Days
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| The Last Invocation |
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| The Lesson of a Tree |
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| The Maternal Homestead |
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| The Million Dead, Too, Summ'd Up |
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| The Most Inspiriting of all War's Shows |
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| The Mystic Trumpeter |
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| The Oaks and I |
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| The Old Whitman and Van Velsor Cemeteries |
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| The Ox-Tamer |
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| The Pallid Wreath |
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| The Parks |
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| The Prairie States |
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| The Prairie-Gra** Dividing |
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| The Prairies and Great Plains in Poetry |
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| The Real War Will Never Get in the Books |
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| The Return of the Heroes |
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| The Runner |
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| The Savage Saguenay |
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| The Ship Starting |
Leaves of Gra**
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| The Silent General |
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| The Singer in the Prison |
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| The Sky—Days and Nights—Happiness |
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| The Sleepers |
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| The Sobbing of the Bells |
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| The Spanish Peaks—Evening on the Plains |
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| The St. Lawrence Line |
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| The Stupor Pa**es—Something Else Begins |
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| The Torch |
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| The Two Vaults (Unpublished) |
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| The Unexpress'd |
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| The United States to Old World Critics |
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| The Untold Want |
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| The Voice of the Rain |
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| The Wallabout Martyrs |
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| The Weather—Does it Sympathize with These Times? |
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| The White House by Moonlight |
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| The Women of the West |
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| The Wound-Dresser |
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| The Wounded from Chancellorsville |
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| There Was a Child Went Forth |
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| These Carols |
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| These I Singing in Spring |
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| Thick-Sprinkled Bunting |
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| This Compost |
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| This Dust Was Once the Man |
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| This Moment Yearning and Thoughtful |
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| Thou Mother with Thy Equal Brood |
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| Thou Orb Aloft Full-Dazzling |
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| Thou Reader |
Leaves of Gra**
|
| Thought |
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| Thought-II |
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| Thought-III |
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| Thought-IV |
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| Thought2 |
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| Thoughts |
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| Thoughts Under an Oak—A Dream |
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| Thoughts VI |
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| Thoughts-V |
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| Three of Us |
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| Three Years Summ'd Up |
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| Three Young Men's d**hs |
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| Through Eight Years |
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| To a Certain Cantatrice |
Leaves of Gra**
|
| To a Certain Civilian |
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| To a Common Prostitute |
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| To a Foil'd European Revolutionaire |
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| To a Historian |
Leaves of Gra**
|
| To a Locomotive in Winter |
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| To a President |
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| To a Pupil |
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| To a Stranger |
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| To a Western Boy |
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| To BRYANT, the Poet of Nature |
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| To Foreign Lands |
Leaves of Gra**
|
| To Get the Final Lilt of Songs |
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| To Him That Was Crucified |
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| To Old Age |
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| To One Shortly to Die |
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| To Rich Givers |
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| To the East and to the West |
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|
| To the Garden the World |
Leaves of Gra**
|
| To the Leaven'd Soil They Trod |
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|
| To the Man-of-War-Bird |
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|
| To the Pending Year |
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|
| To the Spring and Brook |
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|
| To the States |
Leaves of Gra**
|
| To the Sun-Set Breeze |
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|
| To Thee Old Cause |
Leaves of Gra**
|
| To Think of Time |
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| To Those Who've Fail'd |
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| To You |
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| To You II |
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| To-Day and Thee |
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| Transpositions |
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| Trickle Drops |
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| True Conquerors |
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| Turn O Libertad |
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| Twenty Years |
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| Twilight |
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|
| Two Brooklyn Boys |
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| Two Brothers, One South, One North |
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|
| Two City Areas Certain Hours |
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|
| Two Hours on the Minnesota |
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| Two Old Family Interiors |
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| Typical Soldiers |
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|
| Unfolded Out of the Folds |
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|
| Unfulfill'd Wants—the Arkansas River |
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|
| Union Prisoners South |
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|
| Unnamed Land |
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|
| Unnamed Remains the Bravest Soldier |
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|
| Unseen Buds |
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| Up the Hudson to Ulster County |
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| Upon our Own Land |
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|
| Vigil Strange I Kept on the Field One Night |
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| Virginia |
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| Virginia—The West |
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|
| Visor'd |
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| Vocalism |
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|
| Walt Whitman Poerties |
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|
| Walt Whitman T-Shirt Print |
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| Walt Whitman: Making Emerson's “Nature” Come Alive |
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|
| Walter Dumont and his Medal |
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|
| Wandering at Morn |
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|
| Warble for Lilac-Time |
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|
| Washington's Monument, February, 1885 |
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|
| We Two Boys Together Clinging |
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|
| We Two, How Long We Were Fool'd |
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|
| Weave in, My Hardy Life |
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|
| Western Soldiers |
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|
| What Am I After All |
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|
| What Best I See In Thee |
The Patriotic Poems of Walt Whitman
|
| What Place Is Besieged? |
Leaves of Gra**
|
| What Ship Puzzled at Sea |
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|
| What Think You I Take My Pen in Hand? |
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|
| When I Heard at the Close of Day |
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|
| When I Heard at the Close of the Day |
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|
| When I Heard the Learn'd Astronomer |
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|
| When I Heard The Learn'd Astronomer bs |
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|
| When I Heard the Learn'd Astronomer MB |
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|
| When I Peruse the Conquer'd Fame |
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|
| When I Read the Book |
Leaves of Gra**
|
| When Lilacs Last In The Dooryard Bloom'd |
The Patriotic Poems of Walt Whitman
|
| When the Full-Grown Poet Came |
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|
| While Not the Past Forgetting |
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|
| Whispers of Heavenly d**h |
-
|
| Who Learns My Lesson Complete? |
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|
| Whoever You Are Holding Me Now in Hand |
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|
| Wild Flowers |
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|
| With All Thy Gifts |
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|
| With Antecedents |
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|
| With Husky-Haughty Lips, O Sea! |
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|
| World Below the Brine |
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|
| World Take Good Notice |
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|
| Wounds and Diseases |
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|
| Year of Meteors |
-
|
| Year That Trembled and Reel'd Beneath Me |
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|
| Years of the Modern |
-
|
| Yet, Yet, Ye Downcast Hours |
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|
| Yonnondio |
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|
| You Felons on Trial in Courts |
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|
| You Lingering Sparse Leaves of Me |
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|
| Youth, Day, Old Age and Night |
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|